▌Full Movie▌ Free The Burnt Orange Heresy

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Writed by Scott B. Smith

Giuseppe Capotondi

release Year 2019

genres Action

1 H 39 min

Hired to steal a rare painting from one of most enigmatic painters of all time, an ambitious art dealer becomes consumed by his own greed and insecurity as the operation spins out of control

The end.

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TL;DR Catharism, which by Word of GRRM inspired the R’hllorist religion, believes that Satan fell from the Third Heaven and now controls the Earth. R’hllor, the Stranger, and the Lion of Night are all inspired by Yaldabaoth, the Gnostic demiurge from the Apocryphon of John who created and rules the world. These are clues that R’hllor is probably a similarly malicious entity and is the sole ruler of Planetos. R’hllor fell from the black moon the Yi Tish call the Lion of Night, and his “demons” attacked both before and during the Long Night in the past. R’hllor wants to “erase the world” and replace it with his own creations, such as fire wights and ghost grass. DISCLAIMER: Some details of this may be inaccurate. GRRM certainly drew from many other inspirations and tweaked certain aspects. However, the Gnostic Apocryphon of John is, in combination with Catharist texts like the Questions of John and various “R’hllor/AA are evil” theories like LmL’s, the single best explanatory framework for the endings of GoT and ASOIAF. The False Fisher King GRRM publicly admitted in 2014 that some people have guessed the ending of the books. "So many readers were reading the books with so much attention that they were throwing up some theories, and while some of those theories were amusing bulls*** and creative, some of the theories are right, " Martin said. "At least one or two readers had put together the extremely subtle and obscure clues that I'd planted in the books and came to the right solution. " -GRRM As a result, many have been guessing what the theories were. The most popular guess nowadays seems to be the "Fisher King" theory about Bran. By ruling Westeros as a greenseer king, he will end the war between CotF and Men that the Others are a part of, and rule Westeros as an all knowing, AI surveillance state god. No disrespect for the person who came up with it (it’s certainly miles better than half the ones I’ve seen), but for “the theory of how ASOIAF will end, ” this theory doesn’t explain much. It explains all of one thing from the show, a thing that honestly doesn’t really make all that much sense with what we know of greenseers, CotF, the weirwoods, and their seeming lack of power south of the Neck: Bran becoming king. And it does so inadequately. Show Bran was not healed, in order to heal the land, as the Fisher King myth suggests should happen. Show Bran did not fuse with the weirwood in Winterfell, as the theory predicted. Sure the Fisher King Theory and show came to the same general conclusion, but none of the other details of the theory did, not even symbolically. And what about the rest of the show’s mysteries. Does the Fisher King Theory tell us about the Lord of Light? The Many Faced God? The Drowned God? What the deal is with Asshai? Qarth? What’s wrong with Patchface? Nope. Not a thing. And maybe that’s because these things are always going to be ineffable, inexplicable mysteries. Maybe we’ll just be left hanging. Maybe we’re going to get a LOST ending. Or, maybe people need to start thinking like Sam Tarly. "Did you find who the Others are, where they come from, what they want? " "Not yet, my lord, but it may be that I've just been reading the wrong books. -A Feast for Crows - Samwell I And it is my view that this is the case. People have been looking for answers in the most popular and well known myths in English Literature. This is a mistake. GRRM is out here playing 3D chess and most people are barely playing checkers. They’ve been playing the most excruciatingly overanalyzed games of checkers ever known to man. But GRRM is moving entirely different pieces on planes they don’t even know exist. Because the “protagonist” of ASOIAF, Jon Snow, is named not only after Simon Snowlock of Memory, Sorrow, and Thorn (one of the other most important sources if you want to understand ASOIAF), but after two works of scripture from the Catharist and Gnostic traditions. And these two texts tell you what you need to know about the cosmology of ASOIAF and what the real ending is that the show was referencing. Since GRRM is atheist most people think the smart money is on “gods aren’t real in ASOIAF, only magic. ” But the symbolism GRRM used suggests otherwise. There is probably a real god in ASOIAF. R’hllor, the Stranger, the Lion of Night, the Blind God of Boash and others are all interpretations of it. And it’s basically the devil. The Catharist connection GRRM said the R'hllorist faith is based on two main influences: Zoroastrianism and Catharism. Let me summarize the internet’s reaction to hearing that it’s based on Zoroastrianism: Oh yeah, that make sense. They have fire temples, they’re dualistic, they believe in a good god vs evil god, they have a chosen one called the Saoshyant, yeah, that totally makes sense. Let me summarize the internet’s reaction to hearing that it’s based on Catharism:.. Not much attention was paid to the Cathars, and I can understand why. At first glance, the Catharist connection seems baffling, some even think downright insulting. Yeah they’re dualistic, but that’s where the resemblance seems to end. Aren't the R'hllorists the ones running around burning heretics? There's really very little obvious resemblance at all. And yet surely it must be at least as important as the Zoroastrian connection? Because ASOIAF is set in basically medieval Europe. It’s inspired in large part by The Accursed Kings, a series of novels about medieval France, home of heretics like the Templars and Cathars. There must be something there. But what? I believe the answer is that R’hllorism isn’t based on Catharism itself. R’hllorism is based on Catharist ideas about how the world is. Specifically, R’hllor is Catharist Satan, sometimes known as Yahweh. Catharism and Rex Mundi There are a couple problems the kind of people who ask questions tend to have with mainstream Christianity. One, if God is perfectly good and all powerful, why is there evil? And two, if God is perfectly good, then… "O daughter Babylon, you devastator! Happy shall they be who pay you back what you have done to us! Happy shall they be who take your little ones and dash them against the rock! "(Psalm 137:8–9 NRSV) "See, the day of the Lord is coming — a cruel day, with wrath and fierce anger.... I will put an end to the arrogance of the haughty.... Their infants will be dashed to pieces before their eyes; their houses will be looted and their wives violated. " (Isaiah 13:9–16 NIV) "You shall acknowledge no God but me.... You are destroyed, Israel.... The people of Samaria must bear their guilt, because they have rebelled against their God. They will fall by the sword; their little ones will be dashed to the ground, their pregnant women ripped open. " (Hosea 13:4, 9, 16 New International Version).. is Old Testament God’s problem? Especially with the whole dashing babies on rocks thing, yikes. Catharism found an innovative solution to both of these problems. Basically, Old Testament God is the creator of the physical world and Rex Mundi (King of the World), also known as Satan. He rules the material world as a prison of corrupted matter, and humans are angelic souls trapped in corrupted material bodies. New Testament God, Jesus Christ, rules the pure spiritual realm. The goal of good Cathars is to break the wheel of reincarnation, and reattain angelic status as a being of spirit. This involved many peculiar practices which led to their being outcast or “Other” to their Catholic neighbors. These include vegetarianism (except fish), pacifism, refusal to take oaths of service, refusal of communion and baptism (as purifying yourself through material means was impossible), and little or no reproduction. Cathars (at least ideally) also treated both genders equally, as the soul was thought to be genderless. The Catholic Church tried to peacefully bring the Cathars back into the fold, but they were not able to win the battle of ideas. So instead, they wiped the heresy out with fire and blood, with great success. Catharism was driven underground by 1244, and by the mid 14th century it was all but eradicated. The coiner of the term considered it one of the most conclusive cases of genocide in history. The very knowledge of what the Cathar sacred texts were has been almost lost, but a couple pieces are known. The one I think is relevant to ASOIAF is The Book of the Secret Supper (Cena Secreta), also known as Interrogatio Iohannis (The Questions of John), The Book of John the Evangelist and The Gospel of the Secret Supper. It was originally an apocryphal test of the Boghomil heresy that the Cathars adopted. It states the nature of Cathar cosmology, and there are a couple implications for Planetos. Primarily, it describes how Satan fell "from the third heaven" to Earth, brought forth all living things (presumably starting with wasps), and then created humans by shoving angels into material forms. The general idea that the material world has been taken over by Satan is the most relevant aspect of Catharism to ASOIAF. ASOIAF’s world also has been mostly, although not completely, taken over by a similar malicious entity, and it is known by many as R’hllor. Gnosticism and the Demiurge Since most of the sacred texts of Catharism were destroyed, it is difficult to build a complete mythos upon it alone. I have found quite a bit of evidence that GRRM pulled some further inspiration from an earlier movement that inspired the Cathars: Gnosticism. Gnosticism (from Ancient Greek: γνωστικός gnostikos, "having knowledge", from γνῶσις gnōsis, knowledge) is a modern name for a variety of ancient religious ideas and systems, originating in Hellenistic Judaism and the Jewish Christian milieux in the first and second century AD. Many of these systems believed that the material world is created by an emanation or 'works' of a lower god (demiurge), trapping the divine spark within the human body. This divine spark could be liberated by gnosis, spiritual knowledge acquired through direct experience. Gnosticism is not a single system, and the emphasis on direct experience allows for a wide variety of teachings, which may include but are not limited to the following: All matter is evil, and the non-material, spirit-realm is good. There is an unknowable God, who gave rise to many lesser spirit beings called Aeons. The creator of the (material) universe is not the supreme god, but an inferior spirit (the Demiurge). Gnosticism does not deal with "sin", only ignorance. To achieve salvation, one needs gnosis (knowledge). Like Catharism, Gnosticism believes that the material world is not the product of the real supreme being. It’s the creation of something else. That something else being the Demiurge, adopted from Platonic philosophy. A god who created the material world, but is not the “true god. ” The Apocryphon of Jon The Apocryphon is a heretical Sethian Gnostic Christian text claiming to describe a conversation between John the Apostle and Jesus about the true cosmology of the universe, before he ascended to heaven. I encourage you to check out the summary of the text (the actual text not so much, unless you want to find out exactly which angels helped make Adam's left kidney). There is a lot to digest but there’s one point that’s especially key... The Gnostic demiurge Yaldabaoth is the inspiration for R’hllor, The Lion of Night, The Stranger, the Blind God Boash, and most gods of Planetos. It is likely that all of these gods are different interpretations of the same, malevolent force. The particular form of the demiurge in the Apocryphon of John, Yaldabaoth (also the name of a Persona 5 villain and a decent SCP), contains elements that are found across many if not most of Planetos’ belief systems, suggesting they all describe one demonic deity. You can call it whatever you want, but I rather like R’hllor the Stranger, to emphasize both that it’s the god of flames and shadows, and that its origins are probably outside of Planetos. In the Ophite and Sethian systems, which have many affinities with the teachings of Valentinus, the making of the world is ascribed to a company of seven archons, whose names are given, but still more prominent is their chief, "Yaldabaoth" (also known as "Yaltabaoth" or "Ialdabaoth"). First of all, seven archons? Yep, it’s the Seven. And one that stands apart: the Stranger, Yaldabaoth. The Maiden/Mother/Crone is a common form of the Neopagan triple goddess from belief systems like Wicca. It represents the cycles of the moon, the seasons, and life. The Warrior/Father/Smith is presumably a matching solar/male counterpart. Which leaves the Stranger. The implication here is that the Stranger is not normal life, it lies outside the cycles. It is that which is dead but can also never die, and it is responsible for the chaos in these cycles across Planetos. In the Apocryphon of John c. AD 120–180, the demiurge arrogantly declares that he has made the world by himself: Now the archon ["ruler"] who is weak has three names. The first name is Yaltabaoth, the second is Saklas ["fool"], and the third is Samael. And he is impious in his arrogance which is in him. For he said, 'I am God and there is no other God beside me, ' for he is ignorant of his strength, the place from which he had come. Does this not sound like something R’hllor might say? He is Demiurge and maker of man, but as a ray of light from above enters the body of man and gives him a soul, Yaldabaoth is filled with envy; he tries to limit man's knowledge by forbidding him the fruit of knowledge in paradise. At the consummation of all things, all light will return to the Pleroma. But Yaldabaoth, the Demiurge, with the material world, will be cast into the lower depths. Yaldabaoth wants to deceive you and deny you your soul and the higher wisdom or gnosis it provides, because he has none himself. R’hllor the Stranger wants to do something similar. In particular it doesn’t want you connecting to the weirwood net, which is perhaps the connection to the departed original creator god and the planet’s shared consciousness. Yaldabaoth is frequently called " the Lion-faced ", leontoeides, and is said to have the body of a serpent. The demiurge is also described as having a fiery nature, applying the words of Moses to him: "the Lord our God is a burning and consuming fire". Hippolytus claims that Simon used a similar description. Can we talk about R’hllor’s burning and consuming fire? "Fire consumes. " Lord Beric stood behind them, and there was something in his voice that silenced Thoros at once. "It consumes, and when it is done there is nothing left. Nothing. " -A Storm of Swords - Arya VIII What Beric is talking about here probably has really dark implications for the Last Kiss, which in and of itself is a reference to the kiss which supposedly transferred Yaldabaoth’s spirit of wisdom into humans. Also, speaking of lion-faced, anybody remember this guy from the legend of the Blood Betrayal? Despairing of the evil that had been unleashed on earth, the Maiden-Made-of-Light turned her back upon the world, and the Lion of Night came forth in all his wroth to punish the wickedness of men. -TWOIAF The Lion of Night is, rather explicitly, lion-faced, just like Yaldabaoth. While most thought the Great Empire of the Dawn myths from TWOIAF to be Chinese mythology based filler, on re-read they actually quite resemble the Gnostic cosmology. Elsewhere, it says that the Five Forts were created to keep the Lion of Night’s demons out of the realms of men. The Five Forts are very old, older than the Golden Empire itself; some claim they were raised by the Pearl Emperor during the morning of the Great Empire to keep the Lion of Night and his demons from the realms of indeed, there is something godlike, or demonic, about the monstrous size of the forts, for each of the five is large enough to house ten thousand men, and their massive walls stand almost a thousand feet high. -TWOIAF It is generally assumed in the fandom that the Lion of Night’s demons refer to the Others. However, we are led to believe that the forts were built long before the Long Night and the arrival of the Others. Knowing that both R’hllor and the Lion of Night are inspired by the same entity, we come to a very different conclusion: the Five Forts stop R’hllor’s creations from emerging from beneath the ground, probably through volcanic vents. In Pistis Sophia, Yaldabaoth has already sunk from his high estate and resides in Chaos, where, with his forty-nine demons, he tortures wicked souls in boiling rivers of pitch, and with other punishments (pp. 257, 382). He is an archon with the face of a lion, half flame, and half darkness. Under the name of Nebro (rebel), Yaldabaoth is called an angel in the apocryphal Gospel of Judas. He is first mentioned in "The Cosmos, Chaos, and the Underworld" as one of the twelve angels to come "into being [to] rule over chaos and the [underworld]". He comes from heaven, and it is said his "face flashed with fire and [his] appearance was defiled with blood ". Nebro creates six angels in addition to the angel Saklas to be his assistants. These six, in turn, create another twelve angels "with each one receiving a portion in the heavens". R'hllor being referred to as the God of Flame and Shadow likely stems from Yaldabaoth. As do the house words of House Targaryen: fire and blood. House Targaryen's history, especially the Mad King Aerys (chaos) has most likely been heavily influenced by R'hllor's meddling, as I'll discuss in Part 2. The Gnostic demiurge is also referred to by other names in other branches of Gnosticism. For example, there is Samael: "Samael" literally means "Blind God" or "God of the Blind" in Hebrew (סמאל). This being is considered not only blind, or ignorant of its own origins but may, in addition, be evil; its name is also found in Judaism as the Angel of Death and in Christian demonology. In combination with a somewhat altered “-baoth” from Yaldabaoth, this is a clear inspiration for the Lorathi deity “the Blind God of Boash. " And the fact that the ostensible home of Jaqen H’ghar (a heretical rogue Faceless Man and probable servant of Azor Ahai and R’hllor) worships “the Angel of Death” is probably not a coincidence. Seeing as GRRM left us many clues that Gnosticism and Catharism influenced ASOIAF, we can make the following predictions: Prediction 1: R’hllor the Stranger is the one true god (in terms of direct power) on Planetos in ASOIAF and he is malicious. Most of the “New Gods” are different representations of him. Catharism and Gnosticism both believe an evil entity controls the material world, and GRRM has explicitly stated the first is an inspiration for R’hllorism while consciously and repeatedly invoking the second. We can conclude this is likely meant to indicate to us that Planetos is similar. R’hllor the Stranger is the only god and he is an asshole. If the God-on-Earth truly existed, he left a long time ago, and the Old Gods are probably not so much “gods” as the consciousnesses of past greenseers. At best these other powers are only capable of somewhat restricting R’hllor’s actions, as Jesus somewhat limits Satan’s rule over Earth in Catharism. While we don’t quite know what R’hllor the Stranger’s motives are, it probably does not care about being worshiped so much as ensuring a steady supply of blood sacrifice (sorry R'hllorists, the songs do nothing). And one of the ways it does so is probably inciting conflict. Besides the Yaldabaoth inspired gods, there are many other gods, originating from Valyria, which encourage the belief that all other gods are false. "The man who honors all the gods honors none at all, " a prophet of the Lord of Light, R'hllor the Red, once famously declared. And even at the height of its glory, the Freehold was home to many who believed fiercely in their own particular god or goddess and regarded all others as false idols, frauds, or demons, bent on deceiving mankind. Dozens of such sects flourished in Valyria, sometimes quarreling violently with one another. Inevitably, some found the tolerance of the Freehold to be intolerable and set out into the wilderness to found cities of their own, godly cities where only the "true faith" would be practiced. -TWOIAF Some of these other entities have similar associations with both demons and violent monotheisms although they are less clearly drawn from Yaldabaoth. The Black Goat of Qohor most resembles the goat-headed Baphomet, a demon the Knights Templar were accused of worshipping (or the Black Goat Shub-Niggurath, a Lovecraftian being). The Pale Child of Bakkalon is a reference to a god from one of GRRM’s Thousand Worlds stories, where it is the god of a militant crusading order called the Steel Angels that violently encroaches on a more peaceful civilization that worships something resembling the “Old Gods. ” The allusion to interplanetary conquest also may be symbolic. Here I see the work of one god who feeds on strife and bloodshed. Each sect has been led to believe that the rival gods are false idols, frauds, and demons. And they are indeed right. The religious conflicts between rival monotheisms in ASOIAF are all choreographed to the tune of one laughing, bloodthirsty god, who gains strength from their clashes. The clues that the gods are one, and that one is malicious, are all over the place. In the books: Only a few candles burned this evening, flickering like fallen stars. In the darkness all the gods were strangers. -A Feast for Crows - Cat Of The Canals One day she must light a candle to the Stranger for carrying Renly off and leaving Stannis. -A Feast for Crows - Cersei IV “The gods mock the prayers of kings and cowherds alike. ” -A Game of Thrones - Eddard II "Any gods so monstrous as to drown my mother and father would never have my worship, I vowed. In King's Landing, the High Septon would prattle at me of how all justice and goodness flowed from the Seven, but all I ever saw of either was made by men. " -A Clash of Kings - Davos I "Aren't you afraid? The gods might send you down to some terrible hell for all the evil you've done. " "What evil? " He laughed. "What gods? " "The gods who made us all. " "All? " he mocked. "Tell me, little bird, what kind of god makes a monster like the Imp, or a halfwit like Lady Tanda's daughter? If there are gods, they made sheep so wolves could eat mutton, and they made the weak for the strong to play with. " -A Clash of Kings - Sansa IV And even more overtly in the show: I don’t even know their real names. Maybe it is the Seven. Or maybe it’s the old gods. Or maybe it’s the Lord of Light. Or maybe they’re all the same fucking thing. I don’t know. What matters, I believe, is that there’s something greater than us. And whatever it is, it’s got plans for Sandor Clegane. -Septon Ray, S6E7 "If he commands you to burn children, your LORD is evil" -Davos, S6E10 There is only one hell, Princess. The one we are living in now. -Melisandre, S4E2 ”The Lord of Light wants his enemies burnt. The Drowned God wants them drowned. Why are all the gods such vicious cunts? ” -Tyrion, S2E8 Cersei Lannister: ”The gods have no mercy, that's why they are gods. My father told me that when he caught me praying. My mother had just died, you see. I didn't really understand the concept of death. The finality of it. I thought if I prayed very very hard, the gods would return her to me. I was four. Sansa Stark: Your father doesn't believe in the gods? Cersei Lannister: He believes in them, he just doesn't like them very much. -S2E9 Many criticized the show for being too overtly atheist (or nay-theist) for the setting. But within this new context, it becomes more understandable. D&D wanted to get those gnostic themes across in a television format which doesn’t allow for the internal monologues through which book characters usually reveal their heretical thoughts. Prediction 2) R’hllor the Stranger probably does not belong on Planetos. When TWOIAF came out the inclusion of the Yi Tish myths about the Great Empire of the Dawn caught a lot of people’s attention. Some dismissed them as irrelevant, Chinese mythology inspired filler. However, it is actually another reference to Gnosticism and the Apocryphon of John. In the beginning, the priestly scribes of Yin declare, all the land between the Bones and the freezing desert called the Grey Waste, from the Shivering Sea to the Jade Sea (including even the great and holy isle of Leng), formed a single realm ruled by the God-on-Earth, the only begotten son of the Lion of Night and Maiden Made-of-Light, who traveled about his domains in a palanquin carved from a single pearl and carried by a hundred queens, his wives. For ten thousand years the Great Empire of the Dawn flourished in peace and plenty under the Godon-Earth, until at last he ascended to the stars to join his forebears. Dominion over mankind then passed to his eldest son, who was known as the Pearl Emperor and ruled for a thousand years. The Jade Emperor, the Tourmaline Emperor, the Onyx Emperor, the Topaz Emperor, and the Opal Emperor followed in turn, each reigning for every reign was shorter and more troubled than the one preceding it, for wild men and baleful beasts pressed at the borders of the Great Empire, lesser kings grew prideful and rebellious, and the common people gave themselves over to avarice, envy, lust, murder, incest, gluttony, and sloth. When the daughter of the Opal Emperor succeeded him as the Amethyst Empress, her envious younger brother cast her down and slew her, proclaiming himself the Bloodstone Emperor and beginning a reign of terror. He practiced dark arts, torture, and necromancy, enslaved his people, took a tiger-woman for his bride, feasted on human flesh, and cast down the true gods to worship a black stone that had fallen from the sky. (Many scholars count the Bloodstone Emperor as the first High Priest of the sinister Church of Starry Wisdom, which persists to this day in many port cities throughout the known world). In the annals of the Further East, it was the Blood Betrayal, as his usurpation is named, that ushered in the age of darkness called the Long Night. Despairing of the evil that had been unleashed on earth, the Maiden-Made-of-Light turned her back upon the world, and the Lion of Night came forth in all his wroth to punish the wickedness of men. -TWOIAF Here the God-on-Earth takes the place of the Monad, the “supreme, absolute, eternal, infinite, perfect, holy and self-sufficient” entity. Unlike in the Christian Gnostic conception where the Monad is pure goodness, GRRM seems to describe it as the harmonious product of both the Maiden-made-of-Light and her opposite the Lion of Night, a perfect balance of light and dark. Unlike in the Gnostic and Cathar tradition, I think the God-on-Earth is responsible for some of the material world. The truly ancient parts, like the CotF, giants, and weirwoods. Based on the descriptions provided, I assume the Maiden-made-of-Light to symbolize the sun, and the Lion of Night to symbolize its opposite: Planetos’ second moon, the one made from light absorbing oily black stone, which was hinted at in the Qartheen and Azor Ahai legends. "He told me the moon was an egg, Khaleesi, " the Lysene girl said. "Once there were two moons in the sky, but one wandered too close to the sun and cracked from the heat. A thousand thousand dragons poured forth, and drank the fire of the sun. That is why dragons breathe flame. One day the other moon will kiss the sun too, and then it will crack and the dragons will return. " -A Game of Thrones - Daenerys III She did this thing, why I cannot say, and Azor Ahai thrust the smoking sword through her living heart. It is said that her cry of anguish and ecstasy left a crack across the face of the moon, but her blood and her soul and her strength and her courage all went into the steel. Such is the tale of the forging of Lightbringer, the Red Sword of Heroes. -A Clash of Kings - Davos I This moon is also the likely source of the working title “Blood Moon” for the prequel. A moon that got too hot would glow red before it cracked, right? And then when the dragons “drank the sun’s fire, it would dim, right? This drinking of the sun’s fire is similar to how Yaldabaoth used “light stolen from Sophia” to dimly illuminate his realm in the Gnostic myth. As to whether the moon is still there, it’s unclear. If the moon was cracked rather than shattered, most of it may be intact, just invisible due to its light absorbing properties. The description of the God-on-Earth’s palanquin and his ascension to the stars suggests it may be symbolic of the first moon, the one that is white and visible. The hundred queens are less clear, but I theorize they could be the weirwood trees. If they do indeed “carry” the moon then the consequences of their destruction would be disastrous indeed. Regardless, the God-on-Earth was likely responsible for the “original” inhabitants of Planetos, like the COTF. The succession of decreasingly powerful God Emperors is suggestive of the series of Aeons from the Apocryphon. The one stands out as particularly notable (credit to u/M_Tootles for pointing this out) is the Pearl Emperor who built the Five Forts. In the Apocryphon of John: Those who receive and are woken by Christ’s revelation are raised up and “sealed… in the light of the water with five seals” The Pearl Emperor is not named after a gemstone like the rest, but after a pearl, like the pearly gates of Heaven. He did something important involving five seals. He ruled Earth for one thousand years, like Jesus in the Book of Revelation. That’s right, the Pearl Emperor is ASOIAF Jesus. And apparently he either left Earth or got killed off for good. Ouch. Since the Lion of Night is inspired by Yaldabaoth but also is probably the moon in Yi Tish legend, it makes sense that R’hllor the Stranger would be an entity from that moon (the “third heaven”) that arrived on Planetos in a meteorite, mirroring the fall of Satan in Cathar theology. It is the “black stone” worshipped by the Bloodstone Emperor, and bears a certain resemblance to the Shining Trapezohedron used to summon Nyarlathotep in H. P Lovecraft. This is most likely what GRRM is trying to hint at by mentioning the Church of Starry Wisdom. It should be noted that in Lovecraft’s The Dream-Quest of Unknown Kadath, which is the source for many of the place names in ASOIAF like Sarnath, Leng, and of course K’dath, Nyarlathotep resides on the Moon, which is covered in oily black seas. Once more symbolism implies the existence of the second moon, and a malevolent being from it. Like Yaldabaoth was the result of Sophia trying to make something without the other Aeons, the Stranger is the product of one of the universe’s creative forces, the Lion of Night, making something without the involvement of the other. And just like in the Apocryphon, the resulting abomination resulted in an act of concealment: the Shadow. The extraplanetary nature of the Stranger is hinted at elsewhere, with the Stranger’s image in some cases resembling the black moon. And the seventh face... the Stranger was neither male nor female, yet both, ever the outcast, the wanderer from far places, less and more than human, unknown and unknowable. Here the face was a black oval, a shadow with stars for eyes. -A Clash of Kings - Catelyn IV We’ll leave aside the Blood Betrayal itself for now. What is important is the unearthly nature of R’hllor the Stranger. It was not a part of the original creation of Planetos, but arrived shortly afterwards, and has slowly been altering the planet ever since. And its goal is the domination of all life. Life is warmth, and warmth is fire, and fire is God's and God's alone. " -A Storm of Swords - Arya VII R'hllor was a jealous deity, ever hungry. So the new god devoured the corpse of the old… -A Dance with Dragons - Jon III Prediction 3) R’hllor the Stranger’s likely goal is the complete replacement of humanity and the Planetosi biosphere Bran: He’ll come for me. He’s tried before. Many times, with many Three-Eyed Ravens. Sam: Why? What does he want? Bran: An endless night. He wants to erase this world, and I am its memory. Sam: That’s what death is, isn’t it? Forgetting … being forgotten. If we forget where we’ve been and what we’ve done we’re not men anymore. Just animals. Your memories don’t come from books; your stories aren’t just stories. If I wanted to erase the world of men, I’d start with you. This seemed stupid when you watched it, right? You’re not wrong. The Night King wanted to kill all humans, he could do that in any order he chose. But R’hllor the Stranger, and his most powerful agent Azor Ahai, probably doesn’t want humans dead. No, he just wants them… different. Like Yaldabaoth, R’hllor the Stranger’s ultimate goal, out of either malice, revenge for its ostracism from the rest of creation, or simply desire for the familiar in the alien world it arrived in, is likely to create beings of “counterfeit spirit. ” Beings with no memory, and no dreams, incapable of perceiving truth, and not truly alive or dead but simply “strange. ” Purely material beings. Animals, except not even, since in ASOIAF animals are part of the weirwood net and shared consciousness. You can see this goal realized in Melisandre, who is hundreds of years old, nearly incapable of sleep, incapable of correctly divining her visions, and actively rejects what traces of her humanity remain. She had no time for sleep, with the weight of the world upon her shoulders. And she feared to dream. Sleep is a little death, dreams the whisperings of the Other, who would drag us all into his eternal night. She would sooner sit bathed in the ruddy glow of her red lord's blessed flames, her cheeks flushed by the wash of heat as if by a lover's kisses. Some nights she drowsed, but never for more than an hour. One day, Melisandre prayed, she would not sleep at all. One day she would be free of dreams. Melony, she thought. Lot Seven. -A Dance with Dragons - Melisandre I Or Beric who remembers nothing of his past… "Can I dwell on what I scarce remember? I held a castle on the Marches once, and there was a woman I was pledged to marry, but I could not find that castle today, nor tell you the color of that woman's hair. Who knighted me, old friend? What were my favorite foods? It all fades. Sometimes I think I was born on the bloody grass in that grove of ash, with the taste of fire in my mouth and a hole in my chest. Are you my mother, Thoros? " -A Storm of Swords - Arya VII Beyond that, there is the matter of terraforming the rest of Planetos into a form more suitable to it. In Gnosticism, the demiurge makes mimics of the true reality, imitations that are just a bit “off. ” And you see such things in Planetos as well. Long and low, without towers or windows, it coiled like a stone serpent through a grove of black-barked trees whose inky blue leaves made the stuff of the sorcerous drink the Qartheen called shade of the evening. -A Clash of Kings - Daenerys IV “That’s it, priest. Gulp it down. The wine of the warlocks, sweeter than your seawater, with more truth in it than all the gods of earth. ” -The Forsaken The unearthly black-barked trees from Qarth are essentially the Tree of Eternal Life from the Gnostic false Eden. Which is probably what Qarth is, and why GRRM won’t tell us more about it yet. A dozen crystals, no larger than seeds, rattled across the parchment he'd been reading. They shone like jewels in the candlelight, so purple that the maester found himself thinking that he had never truly seen the color before. -A Clash of Kings -Prologue The very uniquely colored plant from the Jade Sea that goes into the Strangler is also probably one of R’hllor the Stranger’s creations. This is why Melisandre the shadowbinder can drink its poison with no ill effects, just as shadowbinders are the only ones who dare to eat the fish from the river Ash in Asshai. Both are R’hllor’s alien creations. There are a hundred kinds of grass out there, grasses as yellow as lemon and as dark as indigo, blue grasses and orange grasses and grasses like rainbows. Down in the Shadow Lands beyond Asshai, they say there are oceans of ghost grass, taller than a man on horseback with stalks as pale as milkglass. It murders all other grass and glows in the dark with the spirits of the damned. The Dothraki claim that someday ghost grass will cover the entire world, and then all life will end. " -A Game of Thrones - Daenerys III The Dothraki ghost grass myth is not about the Dothraki not knowing what ghost grass and ice look like, give them some credit. No, it’s about the terraforming process becoming complete, and the original creation becoming completely replaced. And the first thing R’hllor wants to go are the weirwoods, the conduit by which the shared consciousness of the planet can be accessed, and through which the truth about the Long Night can be witnessed. Some people believe that the ending of the show indicated that the entire conflict between Others and humans was the CotF’s plan, so they could “take revenge” and get the agent of their own “gods” onto the throne. I think this is a fundamentally mistaken view of the Children’s motivations. Since when have the Children ever cared about pushing their religion on others? Yeah there was the Pact with the First Men, but assuming that was before the coming of the Others (as we have been led to believe), the First Men were kicking the Children’s ass. No, the connection with the Children’s gods was if anything what the First Men wanted, as beings tainted by R’hllor and cut off from the higher wisdom, and it was the CotF being good hosts and helping them make this connection that ended the conflict. And the War for the Dawn, at least in the books, has already resulted in the burning of at least one of the rare weirwoods, which are the absolute top priority of the CotF, and puts many of the rest in danger. No, this was R’hllor’s plan, and any long term gambits the COTF had to employ were simply to preserve the rest of Planetos from complete extraplanetary colonization. "Fire consumes, but cold preserves. " -A Feast for Crows - Aemon, Samwell III If R’hllor succeeds in overcoming the Others, Children of the Forest, and other guardians of Planetos, the result will be disastrous. The terraforming and colonization will be complete, the summer will never end, and death itself, along with sleep, dreams, memory, truth, and wisdom, will bend the knee. To see the global ecosystem of the future, look to Asshai, or the Grey Waste, or any of the other blighted desolate places beyond the Bones. Part 2, coming soon, will focus on how the show ending, in particular the co-rule between Yaldabaoth symbol Tyrion and Fallen Earth symbol Bran, can be explained through the Apocryphon of John.

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He could play a convincing Lucifer. or Satan if you prefer

Free una obra maestra en. How was Your experience making this film. i'm jumpin Jack Flash, it was a gas, gas, gas... Slow enough to read would have been nice. You are right, he was wonderful. Free Una obra mastrad. Free una obra maestra la. Free una obra maestra un. Free Una obra mestras. A great poet. a mediocre singer. and a 1st class asshole by nature. I could be his twin in strong resemblance, that brought me (born in Juli '53) a lot of lover girls, but later he betrayed Satisfaction & Street Fighting Man and became a greedy spoof, none of rebel but rather a cynical clown. Fuck you Sir M.J...

The real villains of the Daniel Craig's era (at least) are the French minds calling for chaos. They fooled him so many times, responsible for his pains, pseudo-deaths, multiple retirements, love depression, balls boxing, tea-baggings and so on. French romantics and charm are so damn good, that whatever Bond is going through over the past 70 years, he still falls for it and goes on and on, finally destroying earth with his carbon footprint.

Lots and lots of factual crap in this video. Wrong dates, wrong names, hell, even wrong sex. Thumbs down. Next.

Free Una obra maestra.

Political comedy with Steve Carell: Ok, not something I would expect him to do, but ok Written and directed by Jon Stewart: Holy shit, a political comedy written by an actual comedic political analyst? This has some serious potential.

I actually know about this escape and in the end they managed to get through ten doors and then just walked out.

The British rule when summer parties are on the agenda. Carry on all. Also has a PhD in speed reading. This feels like something from 2004. Free Una obra muestra. Free una obra maestra de. Filme do bond tinha q ser lancado igual a franquia marvel. Free una obra maestra con.

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Correspondent - Vondetta Carter

Biography: I will Bless the Lord at all times and His praise will forever be in my mouth